W as a title: " Dostoevsky reads Hegel in Siberia and breaks into tears ! The author of the printed book, the Hungarian Literature and art theorist László Földenyi tells us how it came about. That is, he speculates, and musing and dissolves the boundaries between Dostoevsky's biography and artistic interpretation run into each other.
Because really sure just seems that Dostoevsky has studied during his exile in Siberia with a young prosecutor GWF Hegel, and at the same time at the House of the Dead sat. Around this scene conjures Földenyi a reflection on the history of philosophy of Hegel, and those people who has to Hegel's philosophy is implied and were thus banished from history as it were.
the outcasts of Dostoevsky's House of the Dead again, it now seems more pointless to return to the world, which averted his eyes from them. And that's what did the world's history: for Siberia was for Hegel, as well as Africa, not yet arrived in history. The enlightened storm from Paradise, meanwhile, blew strong in Europe and studiously ignored long time its inherent, bitter ambivalence. This displacement is in fact, who Földenyi of Hegel's philosophy of history, criticized, as well as his fear of the irrational and unknown, that is, the wonderful, open-ended. These run from the unknown is finally the real motivation Hegel for his design of progress and history.
And Dostoevsky? On the sidelines of the desert seems to have changed anything. He writes, there are completion of the change was him "is still a mystery": And the parable that was it, with Dostoevsky's later works for days.
Because really sure just seems that Dostoevsky has studied during his exile in Siberia with a young prosecutor GWF Hegel, and at the same time at the House of the Dead sat. Around this scene conjures Földenyi a reflection on the history of philosophy of Hegel, and those people who has to Hegel's philosophy is implied and were thus banished from history as it were.
the outcasts of Dostoevsky's House of the Dead again, it now seems more pointless to return to the world, which averted his eyes from them. And that's what did the world's history: for Siberia was for Hegel, as well as Africa, not yet arrived in history. The enlightened storm from Paradise, meanwhile, blew strong in Europe and studiously ignored long time its inherent, bitter ambivalence. This displacement is in fact, who Földenyi of Hegel's philosophy of history, criticized, as well as his fear of the irrational and unknown, that is, the wonderful, open-ended. These run from the unknown is finally the real motivation Hegel for his design of progress and history.
And Dostoevsky? On the sidelines of the desert seems to have changed anything. He writes, there are completion of the change was him "is still a mystery": And the parable that was it, with Dostoevsky's later works for days.
We are, then Földenyi seems in the end to be sure, gone the way of the gray hell: a hell that is different from that of Dostoevsky in Siberia camp. A hell that is not painted in bright colors, but has closed the possibility of salvation for ever and it has become pale. But at least Földenyis gem shimmers and sparkles now a bit in it.
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